Friday, 21 September 2012

It’s true I have a child



It’s true I have a child. But I am not writing to make any declaration here. I don’t need to, even if sometimes I get these long stares from pretty young girls when I tell them about it. Then I start imagining what they are imagining. “What… thought I would be your first?” Then I laugh inside myself. I laugh and laugh until I am becoming nuts. Then I realize I have either invited them for a cup of tea, or they have done the invite. So I compose myself and we chat and thereafter I go back to my child.

Let me not tell you about the child’s name at the moment. It is not important. It is not as important as his character traits. You see when he was born about two years ago I looked at him and thought “Eeh this character has a rather big head.” But I said I should not call him big headed. I only called him ‘Kichwa Kubwa - Big Head.’ He has since grown and now he promises to be a well cut lad. I mean just like his father. You laugh eeeh…I also laugh. It’s the inspiration of the lizard that fell from the tall iroko tree that inspires me. Chinua Achebe talks about that lizard in one of his books, acknowledging him for saying he will praise himself since there was no one to praise him when he fell.

So Kichwa Kubwa is no longer ‘big head.’ I call him Man Man these days. And he responds fast. I guess he enjoys being a man. But well is there any beauty of being a man really? Sometimes I call him ‘Beste – friend.’ For sure we chat a lot as men with him. And I sometimes whisper what Daudi Kabaka tuned “Ukizaliwa wewe ni kijana, ukose kazi taabu yote itakuapata – if you are born a man and you end up unemployed you will be in lots of trouble.”

Anyway let me stick to this topic. It’s true I have a child. And this child has a way of his own. I don’t know why but he loves touching my nipples. Yes I have nipples. Laugh…laugh…I am also laughing. Small as they may seem, but they are there. And he loves cuddling them for reasons best known to him. Or maybe he wants to go back to being a much younger child. Of course he has all the signs of being straight so stop imagining him that way.

These days he has been taught to say “touuu tatiii.” This for those who have never brought up children is a child’s way of saying in Kiswahili “ndio huyu dadii.” To mean “here is my father.” And when a child says so you are reminded of the tender care he needs from you. You see the way you pray to God…My Father…the child sees you that way. Let’s not laugh here.

Now last week, this fellow made me feel ‘waooh.’ I came home carrying some luggage that weighed about 5kg’s. So I thought let me test this fellow. I gave him at the door step and told him to take into the house.  Being the lizard that fell from the tall iroko tree, he could not say "I can’t carry this"…he just dragged it in, and sat on the couch panting and praising himself as no one was interested in his issues. Anyway the fact that he showed the desire to do manual work was promising. The children we are bringing up these days look like they will not even kick out a millipede from the house in the future. 

Have I told you all? No. And this is actually the most interesting, most interesting because I had to apply psychoanalysis to get to its bottom. You see, of late he has been putting on my shoes. Imagine a young brat putting on his father’s shoes. Then he moves around dragging his feet stupidly and falling down lazily. What can that mean? Let’s get serious now…what can that mean? It can mean only one thing if only you read it below.

That he wants to get into your shoes, yes, but besides that he wants to take up your roles. By putting on your shoes it means he wants to go where you go, he wants to dance to the tunes you dance; almost saying he wants to dance with the beauties you dance with. 
By putting on your shoes it means he wants to topple you down in that style that the Oedipus fellow did his father. Or what do you think? I feel like this guy is demonstrating this complex. Actually to make it worse I saw him put on my jacket last evening and went straight to his mother almost saying “too mimi tatiii…I mean in Kiswahili…Ndio mimi dadii…and in English…look I am daddy.” 

So guess what I did this morning. I felt so scared of him as I can’t compete for a woman. I rushed out of home and came here to complain. Now if you know the psychology of Oedipus complex you know why I urgently need your help.

Sob...sob...sob!

Sunday, 2 September 2012

A Conversation in Modern Day Kenya



Two friends who have not met for quite a while bump into each other in town in a busy street. One of them is called Marcus, the other Garvey. This is the conversation they have, and as it is, it turns out to be a serious chat in modern day Kenya

Marcus: (Garvey has not seen him. He taps him on the shoulder and extends a clenched fist) Son of Woman…long time…

Garvey: (Gets excited on seeing him…) A man of the people (He hits him with a clenched fist too and gives him a serious look) you look like you have been running on empty?

Marcus: (Looks at Garvey with a “I am not sure of what you are telling me stare”) What do you mean…that…eeeh…

Garvey: (Cutting him short) That you look like one who has spent three days on the cross?

Marcus: (Finding the statement funny…adds laughing) And one who found the  devil on the cross as well while there…I mean while spending the days as you allege…

(All the while they have been standing on a foot path…They move aside)

Garvey: (As they move aside) This is a busy street…

Marcus: Yes…like Miguel Street…you know it…it’s where they cry the beloved country…all the time…

Garvey: You are right…I once worked there…

Marcus: As a…

Garvey: As a mine boy… (Garvey seems to get an idea…he is in deep thoughts)…eeh…have you seen Aminata of late…

Marcus: No…but I hear she has blossomed with beauty…

Garvey: (With a serious look…as if to stamp some authority) The beautiful ones are not yet born...

Marcus…and if they were they wouldn’t be found just anywhere…they would be found at the anthills of the savannah that serve as the river and the source…not in this place where the wind sweeps with the smell of carcuse for hoounds

Marcus: But I also hear she has become a deadly money maker

(After this they move to a nearby café for a cup of coffee)

Garvey: (As he pulls a seat) It’s a cool place here. Now I can share with you dreams from my father

Marcus: (As he sits down) And I will tell you how I have been Re-membering Africa…

Garvey: Mine are dreams in a time of war 

Marcus: And mine are about how I have been made a second class citizen… (stressing) how I have been striving for the wind…

Garvey: Well…let’s go back to Aminata…did you say that the last time you saw her she was coming to birth?

Marcus: No. I said…the last time we talked she had written me so long a letter

Garvey: Was it like the epistles of St. Paul…or the confessions of St. Augustine?

Marcus: Mmmh…it was full of words…words that melt a mountain…she said if I gave her a chance to act as the concubine

Garvey: You have just used ‘the’…it gives a definite stand…

Marcus: And that defines ‘the me’… (he clears his throat) so she said if I gave her what she wanted she would sing me a song for the sun in us…a beautiful song like the song of lawino

Garvey: (Beckoning a waiter) It’s our turn to eat

Marcus: (Reading the waiters t-shirt) peeling back the mask: a quest for justice in Kenya…just see that…

(The waiter comes and Marcus is looking at the menu…)

Garvey: (Pointing at the writings on his t-shirt) for how long are you going to do that…

Waiter: For as long as it’s not yet uhuru

(They order and the waiter turns showing his back)

Marcus: (Reads again) raila odinga: an enigma in kenya’s politics… (shrugs)…this fellow is a voice unstilled…I feel like he speaks about me…

Garvey: (Pointing at him) you… (beckons to imply how?)

Marcus: Yes me…a second class citizen and many other people who have been in this journey…the long walk to freedom

Garvey: Let us just say he has a way of decolonizing the mind to talk about a question of power

Marcus: Yeah…he is opening spaces for that discussion the way the mau mau author in detention did…

Garvey: I accuse the press in all this though…they have been a real enemy of the people by fueling a season of blood in the whole discussion…

(They are brought two cups of coffee)

Marcus: (As he takes a sip) you were to tell me a story…

Garvey: I got many…which one… (makes as if to count) sunjata epic…epic of gor mahia…which one?

Marcus: Tell me the one of betrayal in the city

Garvey: After you tell me where you live…

Marcus: (Places his cup on the table) I live in the house of doom…just across the bridge… (shows the sign of crossing over) I have to cross the river between to get there…

(They are through with taking tea...they wake up to go)

Garvey: (Pats Marcus on the shoulder) Keep waiting for my story…I will write it…

Marcus: Writing?

Garvey: Yes…one day I will write about this place…of my life in prison and my life with a criminal…so compact will it be in its description it will beat the expressions in heart of wilderness

(They get out and embrace to say good bye)

Marcus: It has been nice meeting you…let me go home…before this street is engulfed in heart of darkness

Garvey: Or we could meet tomorrow… (hands Marcus a business card) or any other day…now that you know how to get me…

Marcus: (Checks card and places it in his pocket) any time…as long as it is after 4.30

(They shake hands)

Garvey: Good bye…keep facing Mt. Kenya…

(They part)